Yard Dog – “SuperStrut” All-Steel, Ultra-Low, Single-String Electric Djent Bass

At a past St. Louis Cigar Box Guitar Club meeting, Sean Oliveira brought in a bunch of piano strings from a unit he had dismantled. He was offering them for free, so I took a thick, low string along with a medium-sized one. I decided to challenge myself to build a guitar around the low string, which has a diameter of roughly a 1/4″.

Since this thick string would exert a lot of force against the instrument’s frame, I would need something a bit more resilient that my usual wood structure. I wanted to maintain a size similar to my previous builds so I chose slotted 1-5/8″ x 13/16 strut.

I started with a five foot length of strut and measured the distance between the bridge and the nut on my Peavey bass, which came out around 34-1/4″. Everything needed to be beefed up on this build—two-hole angles were too weak to handle the force—so everything had to be reconsidered.

Tuner and String:

The first thing that I needed was something to hold the string. Usually I would clamp it with a bolt and knurled nut, but a 1/4″ diameter string needs something more substantial. Luckily, I was able to find some aluminum wire lugs in the electrical section at Lowes. These were excellent both for clamping the string behind the nut and anchoring the tuner.

The tuner is made from a heavy-duty 1/4″ eyebolt, a 1/4″ x 3/4″ steel spacer and a 1/4″ rod coupling. The piano string came with a loop, so I removed a small amount of material at the junction of the eyebolt to allow the string loop to slip onto the eyebolt.

Nut and Bridge:

The nut and bridge are made of stainless steel pipe clamps. I wanted to attach the nut and bridge since the vibration of the large string made it difficult to keep a bolt or other material in place by the force of the string alone. These clamps work perfect for the string size and allow for a proper action. Additionally, I added a u-bolt at the back of the nut and bridge. There was very little tension holding the string in place—the u-bolts worked to create a more focused sound.

Fretboard:

The fretboard is a length of 1/8″ x 1″ steel. It is adhered to the strut with neodymium magnets, which raises the height of the steel just slightly, making the application of zip tie frets possible. I’ve always wanted to try zip tie frets, but I was unhappy with the zip tie being around the back of the neck—this allowed me to place the zip ties around just the steel bar, leaving the back of the strut smooth.

Pickup and Output Jack:

The base coil of this pickup is the same as the Nd144 Electromagnetic Cigar Box Guitar pickup, but I had to modify it to allow for a proper fit. The plastic on the bobbin had to be trimmed to the coil and I used slightly larger neodymium magnets that fit within the slot in the strut.

Nothing special about the 1/4″ output jack. I installed it close to the bottom, with some odds and ends, so that it was out-of-the-way and close to the pickup.

Here’s a quick and dirty video featuring my Peavey bass stack from way back:

(VIDEO PLAYBACK REQUIRES HEADPHONES—SMART PHONE SPEAKERS CAN NOT ACCOMMODATE LOW FREQUENCIES)

Thanks,

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PVC Bamboom Stick

PVC Bamboom Stick

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The handle on Bennet’s Bamboom Stick failed during its first use. Bamboo is strong for its thickness, but, in addition to the handle, the frame cracked in four places, while I was cutting and shaping the instrument. The cracks were easy to fix with glue and clamps, but I’m not sure how it will hold up over time. Surely the handle will hold up with the addition of a dowel, but there was still reason for concern.

This led me to look for a more resilient material. PVC is strong and flexible and easy to manipulate. 1-1/4″ PVC pipe is an excellent size for the body and 1″ is perfect for the handle, as 1″ PVC fits close inside of 1-1/4″ pipe.

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For the handle slot, I made horizontal cuts on the body with a hacksaw and then used a 1-1/8 spade bit to remove most of the material on the front and back of the frame. The rest of the handle slot was shaped with files. I cut the handle from a 1″ piece of PVC; it fit snug within the opening. I also slipped a piece of 1″ wooden dowel into to 1″ PVC to reinforce the handle.

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I cut the pickup hole in the same fashion that I shaped the handle slot. Much like the bamboo version, it allows limited range, but a bit more room to install the piece of angle that would hold the simple tuner and the 1/4″ jack. The wall of the 1-1/4″ PVC was too thick for the nut on the 1/4″ jack to fit, so I filed down the outer side of the frame, around the hole, until installation was possible. Although it appears ugly, I have started using hot glue to strengthen my solder joints; it keeps me from having unexpected delays.

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To create more clearance at the front of the handle, I cut down a 1″ cap and glued it to the front portion of the handle. I filed a small triangular notch into the top of the handle and used a screw to tighten the string down. A binding screw worked well to allow the handle to pivot. I added an eye bolt, bent to an angle, to act as a nut and to set a consistent action. For this PVC version, I decided to use heavier eye bolts than I used on the bamboo version to further strengthen the instrument.

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Because of the limited space, I had to set the piece of angle, then install and solder the jack to the pickup, then install the bent eye bolt, and finally, set the pickup in place. In this PVC version, the JSA Nd144 pickup sat loose in the hole, so I cut and shaped a small piece of 1″ PVC to fill the space. I filed the inner sides of the 1″ piece of PVC until the pickup fit snug. After that, I added the usual simple machine to set the open note/octave.

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I added two 1-1/4 jacks to the top and bottom of the frame and a 1″ cap to the back of the handle. For the bottom, I installed a screw-on rubber bumper so that it doesn’t slide on the floor. Additionally, I left the remaining string intact, since there is no easy way to keep the instrument grounded. The jack is grounded to the bridge eye bolt, so one must simply hold the remaining string against the handle, while playing, to keep a constant ground.

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Just like the bamboo version, there is only one E string, but the instrument has a lot of range. I added a simple tuner so that the player can set the open note/octave. The player controls the pitch by tightening and slacking the string with the handle and there is definitely a learning curve, as the player has to listen for the note correct pitch—I place the difficulty level somewhere between playing slide guitar and trombone.

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It seems important to note that when I tested this instrument the string broke rather than the frame or handle.

Check out this quick and thoroughly awful video:

Thanks,
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